
Au Hasard Balthazar

Introduced by David Fear.
35mm print! Robert Bresson’s brief, elliptical tale about the life and death of a donkey contains such plenitude – in its steady accumulation of incident, characters, mystery and social detail, its implicative use of sound, off-screen space and editing – that it might very well merit Godard’s famous claim that it is “the world in an hour and a half.” Paralleling the mistreatment and downfall of two innocents – Marie, a young farmer’s daughter, and Balthazar, a Christ-like donkey passed from one master to the next – the film has been chosen as one of the greatest in cinema history by countless critics and cinephiles.
Introduced by David Fear.
35mm print! Robert Bresson’s brief, elliptical tale about the life and death of a donkey contains such plenitude – in its steady accumulation of incident, characters, mystery and social detail, its implicative use of sound, off-screen space and editing – that it might very well merit Godard’s famous claim that it is “the world in an hour and a half.” Paralleling the mistreatment and downfall of two innocents – Marie, a young farmer’s daughter, and Balthazar, a Christ-like donkey passed from one master to the next – the film has been chosen as one of the greatest in cinema history by countless critics and cinephiles.