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JUL 12 2026

GILDA | Introduced by Imogen Sara Smith

DETAILS

Introduced by writer Imogen Sara Smith on Sunday, June 12.

 

Rita Hayworth created her Hollywood “Love Goddess” legend in this tailor-made romantic drama, which Eddie Muller has described as “more tango than movie.” What plot there is here is merely an excuse for an exotic and erotic roundelay about a pair of tempestuous American lovers in thrall to a Nazi casino owner in Buenos Aires, Argentina. Yes, that is the plot. The film’s amazing sexual heat—including Rita’s legendary “Put the Blame on Mame” number—captivated audiences, making Gilda one of the highest-grossing films of the forties. Interestingly, much of the story's rich deviance slipped past the censors (and most viewers) at the time; today, the film is regarded as one of the greatest examples of filmmakers working around Hollywood’s restrictive Production Code. One of the last several films photographed by the legendary Rudolph Maté as he transitioned from cinematographer to director.

 

Preceded by the Looney Tunes animated short The Unmentionables on Sunday, July 12.

WHEN
4 PM SUN JUL 12

FEATURING

Gilda

DIRECTOR
Charles Vidor
RUNTIME
1h 50m
RATING
CAST
Rita Hayworth, Glenn Ford, George Macready, Joseph Calleia
CAST
Rita Hayworth, Glenn Ford, George Macready, Joseph Calleia

SYNOPSIS

Rita Hayworth created her Hollywood “Love Goddess” legend in this tailor-made romantic drama, which Eddie Muller has described as “more tango than movie.” What plot there is here is merely an excuse for an exotic and erotic roundelay about a pair of tempestuous American lovers in thrall to a Nazi casino owner in Buenos Aires, Argentina. Yes, that is the plot. The film’s amazing sexual heat—including Rita’s legendary “Put the Blame on Mame” number—captivated audiences, making Gilda one of the highest-grossing films of the forties. Interestingly, much of the story's rich deviance slipped past the censors (and most viewers) at the time; today, the film is regarded as one of the greatest examples of filmmakers working around Hollywood’s restrictive Production Code. One of the last several films photographed by the legendary Rudolph Maté as he transitioned from cinematographer to director.

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